Daire Walsh has many leather-bound books and his apartment smells of rich mahogany.
DIR: Adam McKay • WRI: Adam McKay, Will Ferrell • PRO: Judd Apatow, Adam McKay, Will Ferrell • DOP: Oliver Wood • ED: Melissa Bretherton, Brent White • DES: Clayton Hartley • Cast: Will Ferrell, Christina Applegate, Steve Carell, Paul Rudd, David Koechner, James Marsden, Meagan Good, Greg Kinnear, Kristen Wiig
Following its release back in 2004, Anchorman: The Legendary of Ron Burgundy became an unexpected comedy smash, grossing just under $91 million at the worldwide box office off a budget of $26 million. It brought the creative team of director Adam McKay and Will Ferrell (who had previously worked together on TV’sSaturday Night Live) a platform to develop the projects that were closest to their hearts, and also opened up several doors for co-star Steve Carell, who was best known at that time for his work alongside Jon Stewart and Stephen Colbert on The Daily Show, as well as a small-role in the Jim Carrey-starring Bruce Almighty.
With producer Judd Apatow also about to kick-start his directorial career, it is clear to see that Anchormanrepresented a pivotal point in the lives of much of the cast and crew. Indeed, many of them have enjoyed terrific commercial success since the original was released, but the idea of a follow-up to the ’70s-set satire has always been an enticing one for the main players.
The prospects of a second outing for Ron, Brick, Brian and Champ seemed bleak when Paramount Pictures decided against making a sequel in 2011, but a deal was finally brokered last year to make Anchorman 2: The Legend Continues a reality. The story picks up in the ’80s, where Ron and now-wife Veronica Corningstone (Christina Applegate) are co-anchors at GNN, and now have a six-year-old son named Walter. However, Ron’s life is turned upside down when legendary newsreader Mack Harken (a growling Harrison Ford) decides to make Corningstone the station’s new weekend anchor, and relieve Burgundy of his position.
Although Ron’s career eventually plummets, he is given a second chance when he is approached about a new 24-hour news channel that is being established in Manhattan. Along with his trusted team of Brick Tamland, Brian Fantana and Champ Kind, he embarks on the Big Apple, where they shake the very foundations of broadcast news.
Nine years is certainly not the biggest gap between films in a series (the recent sequels in the Indiana Jonesand Tron franchises took a lifetime to come to fruition), but it is nevertheless a long time since Ferrell & Co. brought their off-the-wall characters to the silver screen. While there was little pre-release hype for the original, the publicity for Anchorman 2 has been cranked up significantly, to the point that everyone who has even a passing interest in the film industry will be aware of its existence.
With all this in mind, it would have been easy for the various participants to rest on their laurels, but the good news for the many fans of the originals is that it maintains the spirit of the first outing, and registers a high laughter rate throughout.
The five principle returning stars (Ferrell, Rudd, Carell, Koechner and Applegate) clearly have too much affection for their characters to simply go through the motions, and they are all given their moments to shine. There are also some welcome additions to the cast in the form of Dylan Baker, James Marsden (as sharp-suited rival anchor Jack Lime) and Meagan Good as Ron’s new boss/love interest.
Witnessing the parameters of Ron’s romantic life suddenly shifting (Greg Kinnear also comes into the equation as a new partner for Applegate) provides much comic inspiration for the film, as does a dark third-act plot development for our eponymous hero.
Though lovers of the original will undoubtedly garner immense enjoyment from this second-parter, comparisons will inevitably be made with its predecessor. Only time will tell if the sequel will become as quotable as The Legend Of Ron Burgundy, but there is no doubt that its successor is lacking that certain element of surprise.
Also, at 119 minutes, it does over-stretch itself, and there are certain segments in the drama that could have been completely exorcised from the final cut. Aside from Brick (who finds his true soul mate in Kristen Wiig’s oddball secretary Channi), Ron’s fellow anchors are not given a great deal to work with, and when the celebrity cameos eventually arrive (in a heightened version of the first film’s Battle of the Anchors), they are thrown at the audience at a most extraordinary pace).
However, there are certain aspects to the film that are an improvement on the 2004 offering, namely the more coherent narrative structure, which indicates a desire on the part of Ferrell and McKay to properly develop the trajectory of their numerous creations.
Should the box-office receipts reveal healthy returns, then we can expect that a third film will follow in the not-too-distant future. On the basis of this film, there is no reason why the projected target audience wouldn’t be interested in another helping, because although the likes of Ferrell, Carell and Rudd have enjoyed great success away from Anchorman, it is clear that they are appreciative of what these characters have done for their careers.